Evergreen and Tan Large Scale Painting

In this evocative 63x70 original abstract composition by Nashville-based artist Angela Simeone, acrylics converge in a symphony of fluid, gestural marks on gallery-wrapped raw canvas, presented in a natural oak float frame. Simeone's work captures the raw immediacy of emotion through sweeping, intuitive strokes that dance across the unprimed surface, allowing the canvas's texture to blend with pigments and create a palpable sense of depth and movement. Layers of translucent acrylic washes intermingle with gestural writing and paint strokes, evoking a landscape where form dissolves into pure expression.

Simeone's palette—though gestural rather than strictly rectangular—invites contemplation, with subtle tonal shifts that hover on the edge of luminosity. Her approach aligns with the New York School painters of the 1940s, that pioneering cadre of Abstract Expressionists including Barnett Newman, Jackson Pollock, and Willem de Kooning, who shattered representational constraints in favor of spontaneous, visceral creation. Echoing Joan Miró's surreal, biomorphic forms and playful organic abstractions, as well as Lee Krasner's dynamic, all-over compositions and rhythmic energy, Simeone's fluid gestures channel the subconscious, transforming the canvas for existential exploration, where the act of painting becomes a dialogue with the unknown. This piece bridges mid-century innovation with today's introspective abstractions.

A 63x70 original abstract acrylic painting on gallery-wrapped canvas by Nashville artist Angela Simeone -- vertical or horizontal painting