Art for Hospitality & Commercial Projects
Original art for hospitality & commercial projects.
Original abstract paintings and architectural-scale commissions for hospitality, commercial, and multi-family interiors — made by hand, sized to the project, and delivered ready to hang anywhere in the country.
As featured in Architectural Digest · Luxe · Forbes · Domino · House Beautiful
For art consultants and project teams
A meaningful portion of my work is specified by art consultants, advisors, interior designers, and architects on hospitality, commercial, and large-scale residential projects. For the hero pieces that anchor a lobby, a restaurant, or an amenity floor, the distinction matters: the work is original, made by hand, and developed for the room it will hang in — not pulled from a catalog.
Project categories: hospitality, commercial, multi-family residential, and large-scale commissions.
In the Nashville studio. Photograph by @marywaltemathphotography.
I work as the artist behind the piece, not a vendor sourcing it. The work is original, made by hand, and developed for the project.
In the studio · Nashville
Feature project — the Conrad Nashville
The Conrad Nashville is the flagship of my commercial work. Conrad is the luxury brand within the Hilton family, and the Nashville property — thirteen stories in the Broadwest development on West End — opened with interiors by Champalimaud Design, the New York firm behind Raffles, the Carlyle, and the Bel-Air. Champalimaud built the hotel around a single idea: music made visible, carried through rhythm, variation, and materiality, from the double-height lobby and its brass spiral staircase outward. My work was placed within that interior.
I'm the most-placed artist at the Conrad Nashville, with 33 original paintings across the property. My work hangs in all of the hotel's private suites — the largest share of the collection — along with the public spaces and both of the hotel's dining rooms. Every piece is an original, made for the room it hangs in.
The Conrad Nashville, Broadwest, West End.
Most-placed artist at the Conrad Nashville — 33 original paintings across the property.
Conrad Nashville · Hilton · Champalimaud Design
Installed in a private suite at the Conrad Nashville.
Each piece made for the room it hangs in — not pulled from a catalog.
The Conrad Nashville · Champalimaud Design
In the dining rooms
My work hangs in both of the hotel's dining rooms: Blue Aster, the Mediterranean dining room named for the Tennessee wildflower, holds three paintings; Thistle & Rye, the third-floor bar, holds seven.
Thistle & Rye, the third-floor bar.
Seven paintings in Thistle & Rye, the third-floor bar.
Thistle & Rye · Conrad Nashville
In the private suites
Original work hangs in every one of the hotel's private suites — the largest part of the collection. Each was calibrated to its room: the palette, the scale, and the light it would live in.
A work on paper in one of the Conrad's private suites.
Original work in every one of the hotel's private suites — each calibrated to its room.
Private suites · Conrad Nashville
In the dining area of a Conrad private suite.
Palette, scale, and light, calibrated to the room — suite by suite.
Private suite · Conrad Nashville
A blue painting in a Conrad private suite, under its own picture light.
Original work in every suite — lit, framed, and placed for the room.
Private suite · Conrad Nashville
From the studio to the wall
None of these were pulled from inventory. Each was painted in my Nashville studio, then shipped rolled and stretched fresh at a framer near the site before white-glove delivery and installation — the same way every commission reaches its wall.
The Conrad paintings at the framer, stretched fresh before delivery.
Painted in the studio, stretched fresh near the site, hand-delivered ready to hang.
The Conrad commissions · at the framer
Across other projects
I'm also the most-placed artist at Peabody Union, the downtown Nashville commercial-residential development, with five original paintings across the lobby and the amenity living spaces. At The Albion, the two largest paintings hang in the building's two largest moments — one over a forty-foot fireplace, one rising to the ceiling. There is also a significant installation at the Sarah Cannon Cancer Center, along with original work in Etch Restaurant and Jasper's Restaurant.
Specified by leading hospitality and luxury design firms. Beyond the Conrad, I completed a commissioned piece for Asthetíque — for the New York residence of the founder of Bilt Rewards, featured in Architectural Digest.
Peabody Union, downtown Nashville.
Most-placed artist at Peabody Union — five originals across the lobby and the amenity living spaces.
Peabody Union · Nashville
In the Peabody Union lobby.
Five originals across the lobby and the amenity living spaces.
Peabody Union · Lobby
The studio handles the work from canvas to wall
When you're managing an entire project, the artwork shouldn't add to the load. I take a piece from first conversation through framing, delivery, and professional installation — one point of contact, the whole way through. Most teams take me up on the full handling, because it's one less thing to coordinate while the rest of the project comes together. Best to bring me in early, while palette and scale are still being decided.
Commissions at the framer, ahead of white-glove delivery.
First conversation through framing, delivery, and installation — one point of contact, the whole way through.
Canvas to wall
Built for scale
Large-scale work is composed in the round, not in front of — the body circling the canvas, the brush moving from the shoulder, the material pushed and scraped across the surface in layers worked back over weeks until the gesture finally settles. A piece at this scale resists a single focal point on purpose. The eye keeps traveling, the body keeps moving through it — which is exactly what a lobby, a restaurant, or a double-height entry asks for.
And there's effectively no upper limit. For the largest walls I build the work across stretched canvas tiles that reassemble seamlessly on site, so I can meet virtually any dimension — made for the biggest lobbies, atriums, and commercial installations.
Licensing for multi-room placements
For select hospitality projects, I license work for high-quality reproduction — useful when a property needs coordinated artwork across guest rooms, corridors, or repeating amenity spaces, anchored to original hero pieces in the public areas. Most artists at this level won't license their work for reproduction. I will, for the right project, which is what makes a hero-plus-reproduction strategy possible across a large build. The consultancy handles the reproduction; I work with you on selection and approvals. A licensed reproduction in the lobby of the Grand Hyatt Nashville is one example. Available case by case.
For coordinated wall coverings on multi-room and commercial projects, the studio also offers a Type II commercial-grade wallpaper line drawn from the same original paintings — read about artist-designed wallpaper for commercial spaces.
What I bring to a project
- Multi-panel and architectural-scale commissions — sized for double-height lobbies, corridors, restaurants, and amenity spaces, including works at 96 inches and beyond.
- Palette and scale developed to the project — calibrated to the design concept, the architectural light, and the parameters you're working within.
- Framing, delivery, and professional installation — handled end to end, scheduled to your install timeline, anywhere in the country.
- Licensing for multi-room placements — high-quality reproduction across guest rooms and repeating spaces, anchored to original hero pieces in the public areas.
- The information you need to present the work — high-resolution images, transparent-background PNGs for renderings, and editorial tear sheets ready to drop into your proposal.
Start a project conversation
Angela Simeone, Nashville.
Whether it's a single statement piece or an art program across an entire property, I respond to every project inquiry personally.
Start a project conversation
Whether you're scoping a single statement piece, an art program across an entire property, or a hero-plus-reproduction strategy for a multi-room build, I'd welcome a conversation.
Start a Project Conversation →
Common questions on commercial projects
Do you work on projects outside Nashville?
Yes — anywhere in the continental United States. I handle framing, delivery, and installation to your site, scheduled to your install timeline.
Can you work to a design concept and a fixed palette?
Yes — that's the heart of how I commission. Send the concept, the materials, the architectural light, and any fixed elements. I calibrate palette and scale to the scheme rather than asking the project to work around the painting.
Will you license your work for multi-room reproductions?
For select hospitality projects, yes — typically anchored to original hero pieces in the public areas, with licensed reproductions coordinated across guest rooms or repeating amenity spaces. Available case by case. The consultancy handles the reproduction; I work with you on selection and approvals.
What scales do you commission?
Medium (30 to 48 inches), large (48 to 60 inches), extra large (60 inches and up), and oversized architectural work at 90 inches and beyond. For the largest walls there's no real upper limit — I build across stretched canvas tiles that reassemble seamlessly on site, so I can meet virtually any dimension. Diptychs, triptychs, and multi-panel works are quoted by total scale.
How far ahead should we bring you in?
As early as possible — while palette and scale are still being decided. It gives the work the best chance to belong to the room rather than be fitted to it after the fact.
For your records
Studio: Angela Simeone — Nashville, Tennessee
Project contact: angela@angelasimeone.com
Website: angelasimeone.com
Instagram: @angelasimeoneartistnashville
Live inventory: Paintings Available Now
Commission process: Commissions
Trade program: Trade Program
Portfolio & tear sheets: Portfolio